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Head of the Bay


 
Buzzard’s Bay, Mass

The design for this 7,500sf house at the Head of the Bay, relates to the clients desire to create a new home in keeping with a 1915 family vacation home on the adjacent lot. The family has been gathering at this summer location for three generations. Our client subdivided the property to create a home for himself and leave adjacent land for his family and in-laws. It was his desire to create a lot for himself and a new home that would be both a vacation and retirement home that reflected the shingle style of the homestead. The program requirements of the retirement home were for all required spaces to be on the first floor with caregiver’s quarters, including cooking kitchen, bathroom and living room, on the second level over the three-car garage. Within that goal we have created a residence that has full handicapped accessibility on the first floor including a master bedroom suite, exercise room, library, kitchen, great room for entertaining, solarium, laundry, and three bathroom facilities. The owner could live on this first level with full comfort. In the context of the vacation home objectives a second master bedroom suite on the second floor along with two guest rooms a playroom and a telephone/ computer room along with the future care givers quarters. The third floor contains the lighthouse overlook of beautiful Buzzard’s Bay and the Elizabeth Islands and also the sky lounge, which is located over the great room. The sky lounge has a full bar, full size refrigerator and a plasma TV (one of many in the home). There is ample room for guests to enjoy themselves on all levels. The shingle style exterior was taken from the area of Buzzard’s Bay from Woods Hole to Nonquit. The unique lighthouse was programmed by the owner to provide a nautical theme to the home, which was carried through the residence by the architect and interior designer.

The octagon form of the lighthouse created wonderful spaces for the first floor study and the second floor guest room along with the observatory on the third floor. The unusual nature of a pitched lighthouse walls created interesting detail problems for windows systems. To create windows which were drainable in a pitched wall system, utilizing a standard Pella window required a detail that was initially met with skepticism. This waterfront property had interesting land features and environmental issues as the site was in the flood plain and there was a wish by the owner to stay close enough to the water so that he could hear the waves but sufficiently high enough to be a totally flood resistant residence this includes a stone veneer reinforced concrete wall system just after the coastal dune. This wall provides a large grass lawn and croquet area in the front of the house. Audubon lands abut the property on two sides so planting and landscape features had to be selectively specified in keeping with the areas high wildlife populations. The town-zoning ordinance required a maximum height of thirty-five feet, which proved to be a constraint in the design’s proportioning.

Other design features that enhanced the home are the Williamsburg Ludowici clay tile roof system, the quarter circle stair, the etched glass front door with all the major lighthouses of the Bay State, the extensive millwork and detailing, the smart home system that allows the client to turn off and on all systems from his primary residence. A twelve-person hot tub combination lap pool is located just off the first floor master bedroom with blue stone patio and with pergola above. This area also includes a lighted flagpole and a stone walkway that leads to the natural path to the beach.

The primary difficulty of designing a waterfront property is giving the front entrance side of the home and the back water side of the home equal appeal as the client’s emphasis is to put all the spaces on the water side. To this end I believe we have captured a four-sided residence with a scale and rhythm befitting this magnificent site.

Featured in the book “Shingle Style Houses, Past and Present” by Ashley Rooney
 

 

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